Month: December 2019

New People 3.0

New People 3.0 – UNDERGROUND VIII by Tanztheater Wuppertal Pina Bausch

29 & 30 November 2019, 18:30 @ Schauspielhaus Wuppertal

New People 3.0 is a fifteen minute performative experiment and the result of several months research into performativity as social practice. It was the utopian wish to create an ensemble dance work using sustainable and healthy ways of collaborating: an experiment which ultimately failed. New People 3.0 is about the hunger to be strangers to the old ways of working and to our own corporal archives, foreign to our hierarchies, new comers to our own habits, a way to search for a beginning.

Performers: Bénédicte Billiet, Tsai-Wei Tien, Breanna O’Mara and Julie Shanahan

Concept and direction: Gala Moody/Michael Carter

Collaboration: Marc Wagenbach

Music: Various artists

Set and lighting concept: Cie.OFEN

A co-production by Cie.OFEN and Tanztheater Wuppertal Pina Bausch, supported by Ekeby Art and Research in the Netherlands.  Created as a three part performative and audio-visual series in the frame of Underground and Tanzrauchen Screen Dance Festival.

New People 2.0 – Review

Dancescreen 2019 + TANZRAUSCHEN Festival Wuppertal

Gala Moody & Michael Carter

by Annelie Andre

They’ve built a golden tent. We can all meet there and have a common experience. It is a place that protects us from the world out there, it´s warm and cosy. It even gives you the illusion of being inside an ufo on another planet. Based on a fictional image of aliens looking for a better life, they created utopian visions of collaborating and working together.

Their work deals with social systems and seeing their choreographic practice as a social one. This is also reflected in their way of using the camera as they do it in a very respectful way, protecting the well being of the collaborators and showing an honest perspective on the topics in space: frustration, (dis)empowerment, disappointment – feelings and topics that all of them came across during their dance career. All of this was listened to and used as material for the creative process.

Moody’s and Carter’s work is all about the creative process itself, not so much about the product in the end. That is also how they understand their role as film makers and directors. I would even say that they are more observing, joining, accompanying than directing. Their interest is grounded in the transparency of an artistic process, having an honest gaze on the people who are part of it, with all their thoughts and struggles, wishes and ideas.

Film as a medium can be very intimate and is used as a tool to dive into moments and worlds you wouldn’t be able to enter otherwise. In a sensitive way they are following movement and atmospheres in space, having a rather intuitive approach on filming than a technically professional one. The focus should be on their work and not so much on a high quality video.

What I find special in their video installation is, that often the dancers work under the choreographer, finding themselves in a position of fitting in frames and supporting the choreographers idea. But in this work the dancers, the humans and their processes are elevated and given space to choose where to go and what to initiate. Both the good and the bad experiences, the highlights and difficulties are seen as relevant. At the same time it is not about reproducing their archives, reliving the experiences they made. It is about being aware of them and then daring to alienate from them, finding new ways of reacting to impulses, following new paths while encountering the unknown.

It is brave, I feel. One of my personal highlights of the festival and so important to be shown. The dance is not visible but the taste of it is all around. Free and true, a multi-layered expression, heavy and light. It’s a poetic and political statement that provides an insight into a creative process based on respect and non-hierarchical collaboration.

Read review online HERE!